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a few weeks ago, they asked me to write an article on one of the paintings by Hopper and the Nighthawks, and I, as an experienced researcher, was able to inform me. Because it is known or at the least learn by experience, that to comprehend a painting one needs to know its history and the painter, and, most importantly, the setting in which he painted it. It is surely something universal, transcendent to both space and time and therefore accessible even after centuries. The meanings are subject to change as society and the world evolve, and what previously could be seen clearly, possibly years later, is no longer so obvious. What was never considered prior to is now revealing the process to us in a totally different manner.<img width="379" src="">Re-defining a piece of work in the course of timeIt's a little like what I imagine happens when you view the work of Hopper's " Nighthawks" that was shut at the bar at night, in that window that resembles the inside of a fish tank, in the same position as the characters he observed.I believe that , in this work, Hopper was trying to open up space to the viewer, inviting him to observe the silent serene, well-detailed and peaceful scene that we are presented by the night.This particular space, created for an active viewer could be the keystone, which allows the painting to change over time and consequently to be timeless, immortal, modern, even very contemporary.The painting, made in 1942, is not immediately attributable to a precise time period, but it seems that the date of its creation can change with the change of the viewer, depending on the exact time at which the piece is seen.In my opinion this is the key to reading, the space that is occupied by the observer that Hopper wanted to create.<img width="446" src=""><iframe src="https://www.youtube.com/embed/1wluHh-Jc-o" width="560" height="315" frameborder="0" allowfullscreen></iframe>I'll explain.Researching information and news on Hopper's " Nighthawks" I was able be aware of how many people have described it , highlighting the following elements:"[...] the loneliness, the sense of emptyness of an environment whose glistening patina starts to lose its luster. [...] The uniquely commercial essence, the false myths take off their masks to reveal a displaced reality, without reliable sources of reference in the face of uncertainty and lack of conscience. "Night and transformationI think this interpretation is a little ambiguous which means that it's a interpretation provided from the socio-cultural context as well as by the dates that is attributed to the work that took place in it was the United States between the 40s and 50s, in the period of economic growth that was redefining the social and cultural values in the lives of the people who lived in a society which is even a bit bourgeois where night bars are seen as places of loneliness, despair and existential emptiness.It's true in a certain degree, and slightly not.First time that I saw this painting, and without having studied, it gave me lots of peace and joy, thanks to its bright contrast and nighttime stillness.Perhaps, as a resident of an extremely noisy and crowded city, nighttime is one of those times that I am able to enjoy the city more calmly with fewer people in the area and fewer vehicles as well as less noise. There are also more spaces between the streets to choose, and where to stay , under the night sky that is starless. The night has a very different meaning for me than those who went to bars in The United States during the 40s When the sun sets down and the city is transformed into its appearance and the streets are more open and simple.We must not forget how society has transformed itself through more than a half century of social and cultural changes. This is the case in between Pop as well as Rock culture, between psychoedelic movement and the 2000s.Personally, ashttps://streamingliveacademy.com/malding-meaning-the-twitch-term/in the 90s, I was also a night-time kid, and by growing up I'm referring to every one of the "formative" experiences that the night gave me. For me it is always common to be out in the evening and walk through the neighborhood on Saturdays looking for the perfect party, dancing until the early hours, riding a motorbike or driving around in search of the last bar that is open to grab the bread or hot pizza and where you can drink the last glass of wine and light the last cigarette before dawn was set. Perhaps from the 80s afterward, the night no longer from frightening those who stayed their homes (let's not forget the anti-prohibitionism movement and jazz movement and the cursed Poets, all perfect night owls) and has since become the place where many of the prominent personalities are able to enjoy the peace and comfort of other night hawks.Hopper's modern RealismNowadays? Hopper's painting reminds me of numerous scenes from modern life. It makes me almost satisfied and sympathetic, with the three main characters who engage in with the bartender as he cleans the bar to close the bar and begin a new. Those nocturnes seek rest in the silence of their nightly companions. They contemplate their lives, watching them through a glass . They meet as a tribe in the night, accepting all and not judging anyone. It's not a coincidence that in the oldest ancestral civilizations such as the Indian one that the half hour before sunrise is known as Brahmamuhurta which is also known as the time of Brahma, the best moment to commit yourself to prayer, meditation studying, and contemplation. This is the time of day when the energy is more intense, intense but of tranquil, spiritual intensity.I don't see any solitude or absence in the painting of Hopper. I also found it among the gentrified streets of the night quarters. This is because even the right-thinking citizens began going out at night.That's why even the most famous and oldest areas were transformed into marketplaces for consumers; and the spontaneous aggregations of people in the square were required to arrange themselves in line, waiting for their turn; and the music of the drums on the the street was silenced by police sirens. This is what worries me today that nighttime is shattered by its sacred timeless atmosphere as a moment of aggregation for individuals, and by becoming an additional uncovering tool of the system, requiring the highest level of professionalism and clarity even from the darkest corners within the cities.