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A few weeks ago, they requested me to write an article about a painting by Hopper and one of the Nighthawks and I, as an excellent researcher, went to inform me. It is well-known or at the very least, learn by experience, that in order to appreciate a painting it is necessary to know the history of the painting as well as the artist and above all the setting in the context in which Hopper painted it. Art is certainly something universal, transcendent to the space and time, and therefore accessible even in the midst of centuries. However, the interpretations change, along with how society and the world evolve and what was once able to be clearly seen, perhaps years later, is no longer so obvious. What was never considered prior to, today could reveal the process to us in a different manner.Re-meaning a work through timeThis is a bit like what I imagine happens when you view the work of Hopper's " Nighthawks" that was shut at the bar at late at night, with that window that resembles the inside of a fish tank, in the same position as the characters he who were observed.I think that in this work, Hopper wanted to give space to the viewer, inviting him to look at the silent, detailed and calm scene given to us by the dark night.This particular space, created to be a place for active viewing, is perhaps the keystone that allows the artwork to change over time and consequently to remain timeless, indestructible and even contemporary.The piece, which was created in 1942, isn't immediately attributable to an exact historical moment, but it seems that its dating is changeable with the change of the viewer, depending on the exact time at which the work is observed.In my opinion this is the most important aspect of reading, the time and space occupied by the observer that Hopper desired to create.I'll explain.Inhttps://streamingliveacademy.com/malding-meaning-the-twitch-term/for information and news about Hopper's " Nighthawks" I was able see how people describe it by highlighting these elements:"[...] the loneliness, the sense of being empty in an environment whose glistening patina starts to lose its luster. [...] The distinctively commercial element lies, the myths rip off their masks to reveal a displaced reality, without any valid reference points , immobilized by uncertainty and lack of conscience. "Night and transformationI think this interpretation is not complete, that is, it is an interpretation given from the socio-cultural context and by the date attributed to the work of it was the United States between the 40s and 50s, in the boom in economics that redefined social and cultural assets in the lives of individuals who lived in a society which is even a little bourgeois, where night bars are seen as places of isolation or despair.It's true in a certain degree, and it's not the whole truth.<iframe src="https://www.youtube.com/embed/1wluHh-Jc-o" width="560" height="315" frameborder="0" allowfullscreen></iframe>When I first came across the painting without having studied it, it gave me a lot of joy and peace, with its bright contrast and its quiet nocturnal quality.Maybe, coming from a large busy and noisy city, nighttime is one of the times where I can enjoy the city in a more peaceful way: fewer people around more cars, less noise, more space between the streets to appropriate, the best place to be, beneath the starless urban sky. Night has a completely different meaning for me than the people who drank in bars across The United States during the 40s When the sun sets down and the city is transformed into its appearance and the streets are more open and easy.<img width="365" src="">We cannot ignore how society has changed in more than half a century of social and cultural changes, that occurred between Pop as well as Rock culture, between psychoedelic movement in the 1990s and 2000s.Personally, as a daughter of the 90s, have also grown up at night, and by growing up I am referring to everything "formative" experiences that the night provided me with. For me it is always common to be out after dark, often walking through the neighborhood on weekends, searching for the most memorable nightclub, dancing till dawn, riding a motorbike or car to find the last bar open you can grab a bread or hot pizza and where you can drink the last glass and smoke the last puff before dawn arrived. From the 80s and afterward, the night no longer in a way that scared those who stayed home (let's keep in mind the anti-prohibitionism movement and jazz movement and even the notorious Cursed Poets all of them perfect evening owls) and has since become the cradle where many personalities of society find the peace and comfort of other night hawks.Hopper's modern realist styleNowadays Hopper's painting reminds me of numerous scenes from contemporary life, and make me feel happy and, in all likelihood, sympathetic, with the three main characters, who have an exchange of words while the bartender clears the bar in order to conclude the day and then open another. The nocturnes want to rest in the silence of the nocturnal company, meditate on their lives observing them through a glass . They meet as a tribe in the night, welcoming all and not judging anyone. It is no coincidence that in the most ancient primitive civilizations like the Indian one that the time between midnight and dawn is known as Brahmamuhurta which is also known as the time of Brahma which is the ideal time to devote oneself to meditation, prayer studying, and contemplation. In this space of time the energy levels are higher, intense but of tranquil, spiritual intensity.There is no solitude nor absence in the painting of Hopper. I found more among the gentrified streets of the night quarters, as even the right-thinking people started drinking in the evening.That's why even the oldest and most popular areas had to be turned into marketplaces for consumers; and the spontaneous aggregations of people who gathered in the square were required to arrange their groups in line, waiting for their turn while the sound of the drums on the side of the street was slowed by the police sirens. This is what worries me today, that the night is degraded by its sacred timeless atmosphere as a moment of aggregation for individuals, and by becoming an additional uncovering tool of the system that demands clarity and respectability even from the darkest corners within the cities.