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few weeks ago they asked for me to compose an essay on a painting by Hopper as well as the Nighthawks and I, being a good researcher, went to inform me. It is well-known, or at least is learn by experience, that to understand a painting, it is necessary to know the history of the painting, the author and, most importantly, the context in the context in which Hopper painted it. Art is definitely something universal, transversal to time and space, making it readable over the course of centuries. However, the interpretations alter, as does the way society and the world change and what was once able to be easily seen, maybe several years ago, is now evident. What was never considered prior to, today could reveal the work to us in a different manner.Re-defining a piece of work in the course of timeIt's a little like the scene I see when you view the work of Hopper's " Nighthawks" which was closed by the bar late in the late at night, with that window that resembles the inside of a fish tank, in the location of the characters that are observed.I believe that in the painting Hopper was trying to open up space to the viewer, inviting viewers to take in the quiet tranquil, precise and serene scene that we are presented by the dark night.This particular space, created to be a place for active viewing may be the most important element that allows the work to change over time and consequently to remain timeless, indestructible contemporary, and modern.The piece, which was created in 1942, cannot be immediately attributable to an exact date However, it is believed that its dating is changeable depending on the changing viewer, depending on the time in which the piece is seen.In my opinion this is the most important aspect of reading, the time and space occupied by the observer that Hopper desired to create.I'll explain.In my research for information and news about Hopper's " Nighthawks", I was able to be aware of how many people have described it , highlighting the following elements:"[...] the feeling of emptiness of an environment whose glistening patina starts to lose its luster. [...] The uniquely commercial essence, the false myths take off their masks and reveal a displaced reality, without any valid reference points , immobilized by uncertainty and lack of conscience. "The night and the transformationI think this interpretation is a little ambiguous and, therefore, it's a interpretation provided in the context of society as well as by the dates that is attributed to the work of it was the United States between the 40s and 50s, during the economic boom that was redefining the social and cultural values in the life of people in a society that was even a bit bourgeois, where night bars are seen as places of loneliness, despair and existential emptiness.It's a little true, but somewhat not.<iframe src="https://www.youtube.com/embed/lKIbT-4UFaE" width="560" height="315" frameborder="0" allowfullscreen></iframe>When I first came across this painting, and without having studied it, it brought me happiness and peace with its bright contrast and nighttime stillness.Perhaps, as a resident of the midst of a huge, noisy and bustling city, nighttime is one of those times where I can enjoy the city in a more peaceful way there are fewer people, fewer cars as well as less noise. There are also more spaces between the streets to make the most of, and which place to rest under the city's starless sky. The night is a different meaning for me from the people who drank in bars across The United States during the 40s: when the sun goes down the city changes its appearance and the streets are more open and easy.It is impossible to ignore the way society has changed over the course of more than half a century of cultural and social shifts, between Pop and Rock culture, between the popular psychedelic scene as well as the decade 2000.<img width="481" src="http://www.mikemccready.com/wp-content/uploads/2010/05/EdwardHopperNighthawks.jpg">Ashttps://pastelink.net/vdmqc3zxin the 90s, I grew up also at night and by that I'm referring to everything "formative" experiences that the night brought me. For me , it's normal to go out after dark, often walking around the neighborhood, and on Saturdays , looking for the best nightclub, dancing till dawn and riding around on a motorbike or car to locate the last bar that is open to grab the croissant or hot pizza and where you can drink the last glass and light the last puff before dawn came. Perhaps from the 80s afterward, the night no longer from frightening those who stayed the house (let's not forget the jazz movement, anti-prohibitionism and even the notorious Cursed Poets who were all great night owls) and it became the cradle where many personalities are able to enjoy the peace and comfort of other night hawks.Hopper's contemporary RealismNowadays Hopper's painting reminds me of numerous scenes from contemporary life, and makes me feel happy and, in all likelihood, sympathetic, with the final three characters, who exchange an exchange of words while the bartender is cleaning the bar to end the day and then open another. Those nocturnes seek rest in the solitude of their nightly companions. They contemplate their lives, watching them through a glass . They gather as a tribe of the night, welcoming everyone , and never judging anyone. It's no accident that in the oldest ancestral civilizations such as the Indian one the half hour before dawn is known as Brahmamuhurta which is also known as the time of Brahma the most ideal time to dedicate yourself to prayer, meditation as well as study and reflection. Inhttps://telegra.ph/The-Leaked-Secret-to-Hoppers-Nighthawks-Discovered-10-21of time the energies are more acute as well as intense but with an ethereal, spiritual focus.There is no solitude nor absence in the painting of Hopper.https://controlc.com/edbb798csaw more of it in the streets that were gentrified in the night quarters, as even the right-thinking citizens began going out at night.So that, even the most famous and oldest neighborhoods had to be transformed into marketplaces for consumers; and the spontaneous aggregations of people who gathered in the square had to rearrange themselves into lines waiting to be seated while the sound of the drums along the side of the street was slowed by police sirens. This is what worries me today that nighttime is degraded by its mystical, timeless ambience, by its being an occasion of aggregation for individuals, and by becoming an additional uncovering tool of the system, demanding transparency and respectability in the darkest parts within the cities.
